Walt Disney Pictures has announced that “Tangled Ever After,” the short film follow-up to their 2010 hit animated feature “Tangled” will be an added attraction to “Beauty and the Beast” 3D when it opens in the Philippines on Feb. 22.

By popular demand, directors Nathan Greno and Byron Howard are bringing back some of Disney’s most beloved characters when “Tangled Ever After” picks up where “Tangled” left off. The Kingdom is in a festive mood as everyone gathers for the royal wedding of Rapunzel and Flynn. However, when Pascal and Maximus, as flower chameleon and ring bearer, respectively, lose the gold bands, a frenzied search and recovery mission gets underway. As the desperate duo tries to find the rings before anyone discovers that they’re missing, they leave behind a trail of comical chaos that includes flying lanterns, a flock of doves, a wine barrel barricade and a very sticky finale. Will Maximus and Pascal save the day and make it to the church in time? And will they ever get Flynn’s nose right?

“Tangled Ever After” is the perfect accompaniment to “Beauty and the Beast”, which is returning to the big screen in Disney Digital 3D and introducing a whole new generation to the Disney classic with stunning new 3D imagery. “Beauty and the Beast” was nominated for six Academy Awards, winning Oscars for Best Song, by the renowned Alan Menken and Howard Ashman, and Best Original Score (Menken).

“Beauty and the Beast” 3D is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.

As the grand opening of the 3D epic, action-adventure “John Carter” gets nearer, Walt Disney Pictures released some interesting trivia about the making of this much anticipated film.

Set on the mysterious and exotic planet of Barsoom (Mars), “John Carter” tells the story of war‐weary, former military captain John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter rediscovers his humanity when he realizes that the survival of Barsoom and its people rests in his hands.

• · “John Carter” is based on Edgar Rice Burroughs’ first novel, “A Princess of Mars.” An American writer, Burroughs was born in Chicago and is best known for writing and creating “Tarzan”—still one of the most successful and iconic fictional creations of all time.
• · 2012 marks the 100th anniversary of the character John Carter.
• · Since 1935, various filmmakers have attempted to make a movie based on “A Princess of Mars”—the first was intended to be an animated feature film by Bob Clampett of “Beany and Cecil” fame. If it had been made, it would have been America’s first full-length animated film, prior to Disney’s “Snow White and the Seven Dwarfs,” which premiered in 1937.
• · Academy Award®–winning director/writer Andrew Stanton directed and co-wrote the screenplay for “WALL•E,” which earned the Academy Award® and Golden Globe Award® for Best Animated Feature of 2008. He was Oscar®-nominated for the screenplay. Stanton made his directorial debut with “Finding Nemo,” garnering an Oscar nomination for Best Original Screenplay and winning the Oscar for Best Animated Feature Film of 2003.
• · “John Carter” screenwriters Andrew Stanton, Mark Andrews and Michael Chabon discovered they had something in common when they met: they all still possessed the John Carter drawings and artwork that they had done when they were boys.
• · Crewmembers, working on location in Utah, found a large bone protruding from the ground. The Bureau of Land Management confirmed it was in fact a Sauropod bone—either a femur or scapula—from a dinosaur that could have been 60ft long. An excavation is currently taking place to retrieve the rest of the prehistoric skeleton.
• · The Ancient Barsoomian typography carved into the walls of the sacred temples in “John Carter” took their original design from actual markings found on the surface of the planet Mars.
• · Working from the original source material, a linguist was hired to create the entire Thark Martian language, using just a few words mentioned in Edgar Rice Burroughs’ novels.
• · The actors playing the nine-foot tall, green Thark characters had to learn to walk on stilts to film the scenes with John Carter, giving the correct eye-line contact for the dialogue.
• · Stunt Coordinator Tom Struthers was delighted and amazed that Taylor Kitsch did 98% of his own stunt work, including an 85-foot jump in the learning-to-walk sequence, a 65-foot jump in the arena, battling the ferocious white apes, and a 250- foot long series of jumps in the Martian wilderness.
• · Cinema audiences will be astonished to see actress Lynn Collins, when not donning her Dejah Thoris look, has strawberry blonde hair and fair skin.
• · While filming in Utah, the film crew came across a small space center called the Mars Society Desert Research Station. No one was home but the Website reads: “Teams of hard-working volunteers, working in full simulation mode in the barren canyon lands of Utah, continue to explore the surrounding terrain, cataloging more waypoints, and analyzing the geology and biology of this fascinating and remarkably Mars-like region.”

(Opening across the Philippines in March, “John Carter” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.)

Walt Disney Pictures presents the 3D epic, action‐adventure “John Carter,” based on the Edgar Rice Burroughs classic, “A Princess of Mars,” the first novel in Burroughs’ Barsoom series.

Directed by Academy Award®–winning filmmaker Andrew Stanton, “John Carter” is set on the mysterious and exotic planet of Barsoom (Mars). The film tells the story of war‐weary, former military captain John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter rediscovers his humanity when he realizes that the survival of Barsoom and its people rests in his hands.

2012 marks the 100th anniversary of Burroughs’ character John Carter, the original space hero featured in the series, who has thrilled generations with his adventures on Mars.

Over generations, John Carter has become a heroic paradigm across all forms of pop culture. From novels to comic books, artwork to animation, TV and now cinema, the character has inspired some of the most creative minds of the last century.

A fan of the Barsoom series of books since childhood, director/writer Andrew Stanton explains what inspired him to bring “John Carter” to the big screen in his first foray into live action: “I stumbled across these books at the perfect age, I was about ten, and I just fell in love with the concept of a human finding himself on Mars, among amazing creatures in a strange new world. A stranger in a strange land. It was a very romantic aspect of adventure and science fiction. I always thought it would be cool to see this realized on the big screen.

“‘John Carter’ is a big epic adventure with romance and action and political intrigue,” continues Stanton. “Because the subject matter was written so long ago, it was also a bit of an origin of those kinds of stories—a comic book before there were comic books, an adventure story before that became a genre of its own.”

Andrew Stanton directed and co‐wrote the screenplay for Disney/Pixar’s “WALL‐E,” which earned the Academy Award® and Golden Globe® for Best Animated Feature (2008). Stanton was nominated for an Oscar® for the screenplay. He made his directorial debut with Disney/Pixar’s “Finding Nemo,” garnering an Academy Award–nomination for Best Original Screenplay and winning the Oscar for Best Animated Feature (2003). Stanton has worked as a screenwriter and/or executive producer on Disney/Pixar’s “Toy Story,” “A Bug’s Life” (which he also co‐directed), “Toy Story 2,” “Monsters, Inc.,” “Ratatouille” and “Up.”

Willem Dafoe, who plays Tars Tarkas in the film, comments on working with Stanton, “I worked with Andrew on ‘Finding Nemo.’ And even though you’re doing a voice, he’s incredibly well researched and knows every shot, every process—he’s an incredible multitasker. So when he told me about this project and how it was going to be approached, I was very excited. Because he’s the kind of guy that can handle that. Without any cynicism about the process. He loves this stuff. He loves the story.”

The stellar ensemble cast is led by Taylor Kitsch (NBC’S “Friday Night Lights”, “X‐Men Origins: Wolverine”) in the title role, Lynn Collins (“X‐Men Origins: Wolverine”) as the warrior princess Dejah Thoris and Oscar® nominee Willem Dafoe (“Spider‐Man”) as Martian inhabitant Tars Tarkas.

The cast also includes Thomas Haden Church (“Spider‐Man 3”), Polly Walker (“Clash of the Titans”), Samantha Morton (“Elizabeth: The Golden Age”), Mark Strong (“Sherlock Holmes”), Ciaran Hinds (“There Will Be Blood”), Dominic West (“300”), James Purefoy (“Resident Evil”) and Bryan Cranston (“Breaking Bad”). Daryl Sabara (Disney’s “A Christmas Carol,” “Spy Kids”) takes the role of John Carter’s teenaged nephew, Edgar Rice Burroughs.

Opening across the Philippines in March 2012, “John Carter” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.

One of the most popular and enduring romantic adventures the world has ever known became one of the most ambitious and entertaining animated motion pictures ever brought to the screen with Walt Disney Pictures’ 30th full-length animated feature, ”Beauty and the Beast” which is coming to Philippine theaters for the first time in 3D.

This classic fairy tale about a beautiful young girl and her encounter with an enchanted beast has long fascinated and intrigued storytellers, filmmakers and their audiences. Through the artistry and imagination of the Disney creative team, an inspired song score by two Academy Award®–winning songwriters and the contributions of an enormously talented vocal ensemble, this age-old fantasy took on exciting new dimensions that are only possible through the magic of animation.

The “Beauty and the Beast” story is indeed “a tale as old as time” with variations on the central theme going as far back as Greek mythology. In 1550, Italian author Giovan Straparalo wrote the first account of the story as it is generally known. The tale grew in popularity during the 18th century with books by French authors Madam Le Prince De Beaumont and Madame Gabrielle di Villeneuve. In 1946, acclaimed French director Jean Cocteau used cinematic imagery and lyrical expression to bring this story imaginatively to the big screen (“La Belle et la Bete”).

“Doing your own version of ‘Beauty and the Beast’ is as much a tradition as is the story itself,” says producer Don Hahn. “Part of the fun is that each generation and culture adapts this story to be its own. The themes––you can’t judge a book by its cover, and beauty is only skin deep–– are as relevant today as ever.”

Screenwriter Linda Woolverton agrees, “The lessons of this story are truly timeless, especially for kids growing up today. It tells them to look beyond the surface and beyond materialism and that what is in their hearts and souls are the things that really matter.”

The release of “Beauty and the Beast” in 3D comes at a time when both the art of animation and the 3D process are enjoying their greatest popularity.

All of the filmmakers and artists who have been involved with the 3D transformation of “Beauty and the Beast” are in unanimous agreement that they take pride in being part of the great legacy of this iconic film. As stereographer Robert Neuman says, “It’s amazing to be able to take these great movies like ‘Beauty and the Beast’ and ‘The Lion King’ and give audiences a new way to see them again. Even if they’re seeing it for the first time, or the one-hundredth time, this is a whole new experience for audiences.”

“It’s a privilege, really, and an honor to be able to bring this movie out,” says Don Hahn. “‘Beauty and the Beast’ has always been special in the hearts of the audience. From the first sneak previews that we did at the New York Film Festival, when it was still unfinished, to the original release, it’s always received a really warm reception. It’s great to go back and relive it now.

Opening soon across the Philippines, “Beauty and the Beast” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.

Walt Disney Animation Studios’ magical tale “Beauty and the Beast” returns to the big screen in Disney Digital 3D™, introducing a whole new generation to the Disney classic with stunning 3D.

The film captures the fantastic journey of Belle (voice of Paige O’Hara), a bright and beautiful young woman who’s taken prisoner by a hideous beast (voice of Robby Benson) in his castle. Despite her precarious situation, Belle befriends the castle’s enchanted staff—a teapot, a candelabra and a mantel clock, among others—and ultimately learns to see beneath the Beast’s exterior to discover the heart and soul of a prince.

Featuring unforgettable music by Academy Award® winners Howard Ashman and Alan Menken, and an enormously talented vocal ensemble, “Beauty and the Beast” was the first animated feature to receive a Best Picture nomination from the Academy of Motion Picture Arts and Sciences.

One of the most popular and enduring romantic adventures the world has ever known became one of the most ambitious and entertaining animated motion pictures ever brought to the screen when ”Beauty and the Beast” premiered in 1991. This classic fairy tale has long fascinated and intrigued storytellers, filmmakers and their audiences. Through the artistry and imagination of the Disney creative team, an inspired song score and the contributions of an enormously talented vocal ensemble, this age-old fantasy took on exciting new dimensions that are only possible through the magic of animation.

“Beauty and the Beast” was the fifth classic fairy tale to be adapted as a Disney animated feature. The tradition began in 1937 with “Snow White and the Seven Dwarfs,” which was based on the famous story by the Brothers Grimm. In the 1950s, Walt Disney and his animators successfully tackled two classic folk tales by French author Charles Perrault––”Cinderella” (1950) and “Sleeping Beauty” (1959). Another famous purveyor of fairy tales, Hans Christian Andersen, was the source of ”The Little Mermaid,” Disney’s 1989 release, which went on to become the Studio’s most successful animated feature up until that time.

Heading up the team was producer Don Hahn, a long-time Disney veteran, and two talented young directors, Gary Trousdale and Kirk Wise, who made their debut in that capacity on this film. Writer Linda Woolverton created a fresh and stylish screenplay which became the structural and emotional blueprint for the visual development and storyboarding phases. Ten supervising animators were assigned to specific characters and took on the task of bringing them to life with the assistance of an impressive group of character animators, cleanup artists and other key supporting players.

Opening soon across the Philippines, “Beauty and the Beast” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.

Ranging in age from 8 to 80, Muppet fans span the globe. So it makes sense that Disney’s new comedy adventure “The Muppets” was ignited by a Muppet fan. “It started when I was a kid,” says Jason Segel who stars in the film and serves as one of the writers and producers. “The Muppets were my first comic influence and I was in love with puppetry. I just thought it was an amazing art form.”

“All comedy writers are Muppet fans,” adds co-writer Nicholas Stoller. “It’s the gateway to comedy. It’s like the first thing you try and then you slowly fall down the rabbit hole of comedy.”

A film Segel and Stoller previously collaborated on actually set things in motion, says Segel. “We ended ‘Forgetting Sarah Marshall’ with a lavish puppet musical, and The Jim Henson Company designed the puppets. Something started growing in my belly, and Nick and I came up with this idea and pitched it to Disney. Disney liked the idea so we wrote the script.”

Enter producers David Hoberman and Todd Lieberman—each with their own affinity to all things Muppets. “I think there’s always been a timeless quality to the Muppets,” says Hoberman, who cites the Muppets’ recent online smash viral video “Bohemian Rhapsody.” “These characters are as contemporary today as they were when Henson first brought them to life. I think people of all ages will respond to them on the big screen.”

Disney’s “The Muppets” will welcome a whole new generation into the world of the Muppets, and director James Bobin can attest to the positive influence these characters can have on young audiences. “I watched the Muppets at a very early age in England, and they have significantly influenced my sense of humor and what I find funny.”

Segel says it’s the Muppets’ sense of humor that differentiates them. “Modern comedy makes jokes at other people’s expense,” he says. “The Muppets never make fun of anybody. They’re all about being good and nice and trying to make the world a better place. It’s easy to get a laugh out of making fun of somebody, but the Muppets never relied on that.”

Influenced by their affinity for Muppet mayhem, filmmakers introduced Walter, a central character who’s driven by his lifelong love of the Muppets. According to Segel, Walter’s wildest fantasy is to meet the Muppets. “Walter is naive, sweet, innocent, wide-eyed—he’s very much like Kermit before Kermit became famous,” says Segel. “But he just wants to belong. He’s looking for a family, really. The Muppets are the only people he’s ever seen who were like him, so his quest is to become one of the Muppets.”

Adds Walter, who is as big a Muppet fan in real life as his character is, “I start out just wanting to meet the Muppets but then have to help Kermit get the gang back together to save Muppet Studios. It’s the role of my lifetime. In fact, it is my life.”

Says Kermit, “Walter gets so excited being around the Muppets. I’ve never met anyone like him…except maybe Jason Segel.”

Opening soon across the Philippines, “The Muppets” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.

He’s green. He has crazy friends, flippers, a penchant for pigs…and one of the most recognizable singing voices. And he’s coming to neighborhoods everywhere in 2012!

Kermit the Frog is back on the big screen, and this time, he’s teaming up with Jason Segel, Amy Adams, Chris Cooper and newcomer Walter, plus the whole Muppet gang, for a brand-new, big-screen adventure in Disney’s “The Muppets.”

“It’s funny, upbeat and full of laughs for everyone…frogs, pigs, bears…even people,” says Kermit. “For new fans, it’s a chance to see the Muppets in action on the big screen. And for old fans it’s a chance to get together with old friends…and get a little crazy together.”

On vacation in Los Angeles, Walter, the world’s biggest Muppet fan, his brother Gary (Segel) and Gary’s girlfriend, Mary (Adams), from Smalltown, USA, discover the nefarious plan of oilman Tex Richman (Cooper) to raze Muppet Studios and drill for the oil recently discovered beneath the Muppets’ former stomping grounds. To stage a telethon and raise the $10 million needed to save the studio, Walter, Mary and Gary help Kermit reunite the Muppets, who have all gone their separate ways: Fozzie now performs with a Reno casino tribute band called the Moopets, Miss Piggy is a plus-size fashion editor at Vogue Paris, Animal is in a Santa Barbara clinic for anger management, and Gonzo is a high-powered plumbing magnate.

Disney’s “The Muppets” is directed by James Bobin (“Flight of the Conchords,” “The Ali G Show”) and produced by the Academy Award®-nominated team David Hoberman and Todd Lieberman (“The Fighter,” “The Proposal”) with a screenplay written by Segel & Nicholas Stoller (“Get Him to the Greek”). Bret McKenzie, who created, co-wrote, executive-produced and starred in the hit HBO television series “Flight of the Conchords,” is the music supervisor as well as the writer/producer of three original songs.

Honoring the Muppet tradition, celebrity cameos include Donald Glover, Leslie Feist, Alan Arkin, Kristen Schaal, Eddie “Piolín” Sotelo, Ken Jeong, James Carville, Rico Rodriguez and Judd Hirsch. “There are more cameos, but I can’t talk about them,” says Kermit. “One of the ways the Muppets get big stars to be in our movies is by promising not to tell anyone about it—besides, it’s more fun when you’re watching the movie and are surprised by who shows up.”

Opening soon across the Philippines, “The Muppets” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.

“The Lion King” is one of Walt Disney Animation Studios’ first hand-drawn 2D animated classic to be revamped with the latest 3D technology. Filmmakers decided to bring the classic back to the big screen and into fans’ homes in a whole new way, immersing audiences into the world of the Pride Lands.

“The 3D aspect of a film can help to better tell a story,” says 3D stereographer Robert Neuman. “We used it in the way a composer uses music to score a film, having it echo the emotional content of the story. Getting the chance to add 3D to ‘The Lion King’ and to work with the original filmmakers to ensure the use of depth reflected their vision and enhanced their story was an incredible opportunity.”

Producer Don Hahn, along with the original directors, Rob Minkoff and Roger Allers, viewed every single image of the film during the 3D conversion process, providing direction on depth queues as well as final approval on the shots during dailies. Additionally, a handful of artists who worked on the 3D conversion process also worked on the original release of “The Lion King.”

The conversion required a team of more than 60 3D artists from multiple disciplines, including lighting, layout, effects and software engineering. Together, they defined a new dimension for “The Lion King,” returning to the original CAPS files (the compositing software program) and painstakingly working to establish the perception of depth necessary to establish the third dimensionality to the imagery. Overseeing each step, Neuman created the 3D Script for the film, which involved mapping out the depth levels of each layer given to establish the 3D effects. With some scenes holding more than 100 composited layers of elements and artwork, there was a rich source of material to work from, which allowed the artists to bring out even greater 3D detail and volume to the film.

One of the more challenging characters to convert to 3D was Zazu—Mufasa’s chief of protocol—with his wings and beak requiring several layers of 3D depth. The most difficult sequence to convert within the film was Scar’s villainous song “Be Prepared,” because it contained several effects shots and a multitude of characters, including hoards of his hyena henchmen.

From start to finish, the entire conversion project took four months—a remarkably quick turnaround, given the complexity of imagery and the wide variety of animal characters within the film. “What was exciting for me was the prospect of using our technology to create a fusion of the beauty and charm of traditional animation with the immersive quality of 3D cinema and see an entirely new art form emerge,” says Neuman. “In this way, no matter how many times they had enjoyed ‘The Lion King’ in the past, we could give audiences the thrill of seeing it once again…for the first time!”

“With this new 3D release, audiences will experience ‘The Lion King’ as they have never before,” says Sara Duran Singer, senior vice president of post production for The Walt Disney Studios. “They will be immersed in the savanna and surrounded by the exciting images and incredible new 7.1/3D Disney mix by Academy Award® nominee Terry Porter (“Beauty and the Beast”). It’s not to be missed!”

Opening across the Philippines in Dec. 14, “The Lion King 3D” is distributed locally by Walt Disney Studios Motion Pictures International through Columbia Pictures.