Phenomenally known as nemesis Harry Osborne in the “Spriderman” trilogy series, James Franco gives us his latest blood-rushing performance as he battles for survival in “127Hours,” Danny Boyle’s groundbreaking yet awe-inspiring film on the life of trekker Aron Ralston when he was trapped in the burrows of Utah canyons.

In line for this year’s Oscars with prime nominations such as Best Picture and Best Actor,  “127 Hours” is the true story of mountain climber Aron Ralston’s (James Franco) remarkable adventure to save himself after a falling boulder crashes on his arm and traps him in an isolated slot canyon in Utah. Trapped for days in the remotest and hardest terrains in the canyon, Aron’s hope for rescue starts to diminish as his packed resources slowly depletes. Hope against desperation got the better of Aron during his ordeal resulting in the most hair-raising ways to survive and stay sane: drinking one’s urine, last-moment recording and ultimately cutting his arm off to be finally set free from the boulder that trapped him.

From the beginning, Danny Boyle knew he was going to require something quite extraordinary from his lead actor, not just in his performance but also someone who could possess the physical capabilities demanded by the role of Aron. Not only would that actor have to be able to handle being in nearly every frame of the film and have to work in physically suffocating quarters, under mentally unhinging circumstances, he would also have to let the camera get deep inside to the most primal of emotions.  Stripped of everything, even the ability to move, Aron was left with a raw view into who he was and who he hoped to become.

The extraordinary acting skills and in-depth inhabitation of the role seemed to combine perfectly in James Franco. Franco’s diverse roles in hit movies including “Pineapple Express,” “Milk,” “Date Night” and “Eat, Pray, Love” have etched him as his generation’s most original talents.    An adventurous renaissance man of his own accord, Franco is also currently pursuing his Ph.D. program in English at Yale.

Ralston was himself excited by the choice.  “I was very happy to know that someone with those kind of dramatic chops was going to do this.  I knew from seeing James in other films that he really likes to inhabit the people he plays,” he says.  “I was psyched to meet him.  We listened together to the video I made that was my Last Will and Testament, which I thought was going to be the way I said goodbye to my friends and family.  I also kind of re-enacted things for James, like some of the body positions I used while standing for so long and even demonstrating exactly how I held the knife when I was cutting into my arm.”

Franco felt strongly drawn to the role from the minute he heard about the project – and it turned out to be like nothing he’d done before.   “One of the reasons I wanted to do this role is because it is made up of so many little personal moments, those moments we all have when you’re completely alone,” he says.  “I felt like that was a side of me I could really understand and tap into. The story is basically about a man confronted with his own death and figuring how to get back to life – it’s a human situation I don’t think has been explored very much in films before.  I also thought it was a tremendous opportunity to tell a story through minute physical actions and these kinds of private soliloquies Aron has when he talks to his video camera.  It was very different from most roles.”

To dive even further into the role, Franco worked out at a climbing gym and slimmed down to Ralston’s sleek, outdoorsy physique.  He read books about climbers and adventurers – and he also looked inside himself to really ask if he could actually do what Aron did to survive.  “I thought about how drastic his circumstances were – that it was life and death,” Franco says.  “I’m pretty squeamish about blood, even in the doctor’s office, but you know, in that situation I’d get over it.  I’d like to think that I’d try something and that I couldn’t just sit there.”

The filmmakers watched as Franco dove deeper and deeper into this personal abyss, then came out the other side. “I think James does work in this film of equal importance to what Danny has done.  It’s a kind of duet,” comments Christian Colson.  “Franco fully inhabited the character and it’s a very unique and amazing performance.”

“127 Hours” opens February 9 in Phil. theaters (Metro Manila, Cebu and Pampanga) from 20^th Century Fox distributed by Warner Bros.

From his myriad of notable roles, James Franco (best known as Harry Osborn in “Spiderman” movies) lays bare his feelings of inadequacy as a man the upcoming couples’ comedy “Date Night” starring Steve Carell and Tina Fey.

“Date Night” follows the misadventures of the Fosters couple played by Fey and Carell in their one-of-a-kind date night that went upside down – way upside down.  The Fosters have their weekly “date night” – an attempt at re-experiencing the spice of the dates of yesteryear, involving the same weekly night out at a local tavern.  Exhausted from their jobs and kids, their dates rarely end in fore- or any other kind of play, let alone romance.

In an attempt to take date night off auto-pilot, and hopefully inject a little spice into their lives, Phil decides a change of plans is in order:  take Claire into Manhattan to the city’s hottest new restaurant. The Fosters, however, don’t have reservations.  Hoping to be seated sometime before the clock strikes twelve, they steal a no-show couple’s reservations.  Phil and Claire are now the Tripplehorns.

The real Tripplehorns, however, it turns out, are a thieving couple who are being hunted down by a pair of corrupt cops for having stolen property from some very dangerous people.  Forced on the run before they’ve even finished their risotto, Phil and Claire soon realize that their play-date-for-parents has gone hilariously awry, as they embark on a wild and dangerous series of crazy adventures to save their lives. . . and their marriage.

Portraying the “real” Tripplehorns –a drug dealer named Taste and his wacky stripper girlfriend, Whippit – are James Franco and model-turned actress Mila Kunis.  Despite their different life circumstances, the pair has much in common with the Fosters, being in the same spot in their relationship as their clean-cut counterparts. Notes screenwriter Josh Klausner: “Whether you’re a drug dealer or a suburban husband, you still feel the pangs of ‘You never look at me the way you used to’ and ‘You don’t have time for me.’  What the two couples are going through is exactly the same,” making the exchanges between the two couples both hilarious and poignant at the same time.

Kunis describes the pair as “very passionate – when they’re angry, they’re very angry, and when they’re happy, they’re madly in love.”  Whippit, specifically, she describes as a “psycho, who is very up and down.  She goes through three different emotions within two and a half script pages.”

The name “Taste,” Franco says, is left over from an earlier concept of the character – a 6 ft. 7 in. bald man with “TASTE” tattooed on his forehead.  “So when they asked me to be in the movie, I said, ‘Well, I’m certainly not that.’”  The character’s description was then rewritten, but the name stuck.  “I was up for facial tattoos, too,” Franco says with a laugh.  “We just went for the cheesy ‘Grim Reaper.’”

Rated PG-13 by the MTRCB, “Date Night” is a couples’ day out cinema treat on April 9 from 20th Century Fox to be distributed by Warner Bros.