Studio Cut

Academy Award-nominated actor Woody Harrelson (“People vs. Larry Flynt”) plays non-conformist men in back-to-back post-apocalyptic films.  In Roland Emmerich’s epic “2012,” he plays a radio talk show host who warns of the impending end of the world, while in the action comedy “Zombieland,” he’s the zombie-slaying badass whose single determination is to get the last Twinkie on earth.
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And what if the end of the world really was upon us?  Would you want to know?   What would you do?  Harald Kloser, screenwriter of Columbia Pictures’ new disaster epic “2012,” already knows his answer.  “I would do exactly what John Cusack’s character does.  I would grab my kids and take them to where it’s safe, as best I can.”
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As an actor who has made his name as a champion of independent movies, often playing the anti-hero or the unconventional outsider, John Cusack’s name at the top of the credits for Roland Emmerich’s end-of-the-world epic “2012” might raise a few eyebrows.

A special-effects laden movie is new territory for a man who has carved out a uniquely individual career with whip smart comedies like “High Fidelity,” or the gloriously surreal “Being John Malkovich” or the hip thriller “1408.”
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Centuries ago, the Mayans left us their calendar, with a clear end date and all that it implies.  Since then, astrologists have discovered it, numerologists have found patterns that depict it, geologists say the earth is overdue for it, and even government scientists cannot deny the cataclysm of epic proportions that awaits the earth in 2012.  A prophecy that began with the Mayans has now been well-chronicled, discussed, taken apart and examined.  By 2012, we’ll know – we were warned.
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Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments than 2012. Columbia Pictures’ new epic “2012” tells of a global cataclysm that brings an end to the world and the heroic struggle of the survivors.
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Columbia Pictures unveils three in-theater banners of its upcoming epic film, “2012” which were designed to be displayed in cinema lobbies around the Philippines.
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