Inspired by the classic Universal film that launched a legacy of horror, The Wolfman brings the myth of a cursed man back to its iconic origins. Stellar cast include Emily Blunt who essays the role of Gwen Conliff, Sir Anthony Hopkins as Sir John Talbot and Benicio del Toro as Lawrence Talbot a.k.a. The Wolfman
If you are happily in love, Valentine’s Day is a day of hearts and flowers, romance and sentiment. If you are among those who are unlucky in love, it is just another day.
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Milo Ventimiglia, probably best known as Peter Petrelli from the hit TV show “Heroes,” plays Eckhart, a police officer who stumbles across an inside-job armored truck robbery, in Columbia Pictures’ no-holds-barred, action-packed thriller “Armored.”
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For our entertainment, Paul Bettany will be waging his own personal battle between heaven and earth.
The handsome Brit’s image as the assault-rifle-toting archangel Michael in the doomsday fantasy “Legion” has been inescapable of late. In the intelligent, emotional “Creation,” meanwhile, he plays Charles Darwin over a span of crucial years. As Bettany raids a hotel suite’s mini-bar for a vodka tonic, he delights in the irony of simultaneously manifesting as an angel and as the man who, as one “Creation” character says, “killed God.”
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“I didn’t set out to make a children’s movie; I set out to make a movie about childhood,” says director Spike Jonze, whose big-screen adaptation of the captivating Maurice Sendak classic “Where the Wild Things Are” was truly a labor of love.
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Academy Award-winner Matt Damon portrays real-life rugby player Francois Pienaar who joined forces with South African President Nelson Mandela to help unite their country, in Warner Bros.’ moving drama “Invictus” from director Clint Eastwood.
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Cirque Du Freak: The Vampire’s Assistant, based on the popular series of books by DARREN SHAN, is a fantasy-adventure about a teenager who unknowingly breaks a 200-year-old truce between two warring factions of vampires. Pulled into a fantastic life of misunderstood sideshow freaks and grotesque creatures of the night, one teen will vanish from the safety of a boring existence and fulfill his destiny in a place drawn from nightmares.
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Still hovering at the top of the box office on its fifth week of release, James Cameron’s “Avatar” bucked in US$ 1.63 billion in worldwide receipts nearing to surpass “Titanic’s” worldwide US$1.83 billion feat. After winning Golden Globe’s Best Director and Best Picture for Drama, 20th Century Fox keeps on modifying its figures as “Avatar” continues to exceed expectations in the domestic and international front.
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